ROBERT ENNIS, DIRECTOR: Bob Ennis has been a well-known name in the film industry for thirty years. Bob was co-creator and CGI Director of Photography (DOP) on Jibber Jabber a children's 3D twenty six episode animation series which won three Leo awards in the spring of 2008. Winner of Gemini and other awards, his work includes DOP on the "Danger Bay"series (88 episodes), winner of the Gold Medal as Best Television Series in the Youth category at the International Film and TV Festival, New York. Further TV Series work included “21 Jump Street”, “Ritters Cove”, “Wiseguy”, “MacGyver” and “”Beachcombers”. Bob's Feature film credits include: “Jumanji”, “Bird On A Wire”, “The Journey of Natty Gann”, “Clan of the Cave Bear” and “Home Is Where The Heart Is”. He has worked on Movie of the Week productions such as “Can of Worms”, “Dog’s Best Friend”, and “Up River”. EXPO 86’ in Vancouver, showcased Bob’s work as DOP on the Disney CircleVision360 film “Portraits of Canada”, shot with 9 cameras and projected in a specially built theatre that surrounds the audience.

JAMES DICKSON, VFX DIRECTOR OF PHOTOGRAPHY: Jim Dickson is a well known Hollywood commercial and VFX Director of Photography who has worked on hundreds of TV shows and feature films during 10 years at Columbia Pictures. He has designed and built his own circlevision mirror rig which has been used in commercial shoots, several feature film productions (‘Spiderman 2’ & ‘The Fast and the Furious’) and tested with several HD video cameras. Jim was DOP on three large format special venue shows for the Luxor Hotel in Las Vegas, the “Past”, “Present” and “Future”. These shows have become “Search for the Obelisk” which is still running every day in the Imax Ridefilm theatre at the Luxor Hotel. Jim Dickson’s CircleVision film credits include “1999 Kentucky Derby” at Churchill Downs (an award winner) and “Top Secret” a 360 motion base ride film running near Shanghai for Catalyst Productions.

ANGUS WAKEFIELD, VISUAL FX SUPERVISOR: "It’s all about telling stories. Whether it’s creating the next hit Saturday morning cartoon or bringing live-action and 3D-animation film to life through riveting special effects, my passion lies in telling great stories through computer generated imagery. As a 3D modeler and visual effects artist with many years experience, I’ve worked in feature film, direct to video, children’s animation and video game cinematics for a number of different audiences, from things that go bump in the night to candy-coated imaginary friends. I love being faced with a new challenge in creative thinking and digital problem solving and I excel at efficiently, quickly and effectively enhancing stories of all kinds with digital art."

Angus's most recent accomplishments and credits include: Lead Modeler, 'Max Steel 7', Direct to video; Senior Modeler and Character Technical Director, 'Ghostbusters the Video Game'; Senior Modeler, 'Max Steel 6: Biocrisis', Direct to video; VFX Artist, 'Destination Infestation', Direct to video; Lead Technical Director, 'Jibber Jabber'; Television series, season one; Winner of four Leo Awards in 2008 including Best Animation Series.

CRAIG FARLINGER, PRODUCER: Craig is a Television Producer who has worked closely with Bob Ennis for the last twenty-three years on TV commercials, documentaries, corporate videos and travel programs shot throughout Canada and the western United States. Craig is a writer, director, editor and artist who manages MediaMind Digital's facilities for high definition video production, post-production and animation. He has managed investor relations and media for oil and gas and other public companies for 17 years as well as software development projects.

"Bob Ennis and I have been talking about doing a Digital Circlevision360 project for many years and finally we're finding some time to get the concept out there. When we met Jim Dickson in 2006 it seemed like fate. We've had one project with Jim and the car rig he built generated fabulous results. Now with Angus on board we are ready to show not just what is now technologically possible but immersive story telling using twice the resolution of IMAX to create an incredible theatre experience."

NEIL THOMPSON, EDITOR/COLOURIST: Neil has worked with Craig Farlinger and Bob Ennis since 1985 when Craig hired him as an editor right after graduating from the Emily Carr College of Art and Design. Neil is an online editor and colour timer who has worked on numerous television series and one hour documentaries. In the last two years alone he has on-lined and colour timed over 110 hours of broadcast high definition video programming. The switchover to high definition video has made the role of colorist a critical function. Neil’s experience with the Avid Symphony colour correcting tool set and artistic eye have been invaluable to MediaMind.

Neil is also an experienced operator and video technician.